Oregon Tannery Photograph [barn 1]
A mounted photographic print of workers in an unknown Oregon tannery. Circa 1970, unsigned and undated. Dry-mounted to a 12" x 14" photo mat.
Condition: Very Good, some toning to mat.
Item #417
Art + Objects: Artworks
Oregon Tannery Photograph [barn 2]
A mounted photographic print of workers in an unknown Oregon tannery. Circa 1970, unsigned and undated. Dry-mounted to a 12" x 14" photo mat.
Condition: Very Good, some toning to mat.
Item #418
Oregon Tannery Photograph [hide]
A mounted photographic print of a worker with a hide in an unknown Oregon tannery. Circa 1970, unsigned and undated. Dry-mounted to a 12" x 14" photo mat.
Condition: Very Good, some toning to mat.
Item #419
Oregon Tannery Photograph [vat]
A mounted photographic print of workers in an unknown Oregon tannery. Circa 1970, unsigned and undated. Dry-mounted to a 12" x 14" photo mat.
Condition: Very Good, some toning to mat.
Item #420
Oregon Tannery Photograph [work table]
A mounted photographic print of workers in an unknown Oregon tannery. Circa 1970, unsigned and undated. Dry-mounted to a 12" x 14" photo mat.
Condition: Very Good, some toning to mat.
Item #416
![Set of 3 Medical Drawings [head & neck]. Siegfried Berthelsdorf](/pictures/thumb/413.jpeg?v=1442357455)
Set of 3 Medical Drawings [head & neck]
A set of three medical drawings on index cards by Dr. Siegfried Berthelsdorf (1911-2011), done in 1935 when he was a student at the University of Oregon. He continued his studies in psychiatry in New York City, graduating from the New York Psychoanalytic Institute in 1952. In 1953, he moved to Portland where he began private practice as the first psychoanalyst in Oregon. He was also a founding member of the Oregon Psychoanalytic Foundation. Framed in a black metal frame with UV glass. Additional shipping rates apply.
Condition: Very Good, toning to paper.
Item #413
![Set of 3 Medical Drawings [torso back]. Siegfried Berthelsdorf](/pictures/thumb/412.jpeg?v=1442357455)
Set of 3 Medical Drawings [torso back]
A set of three medical drawings on index cards by Dr. Siegfried Berthelsdorf (1911-2011), done in 1935 when he was a student at the University of Oregon. He continued his studies in psychiatry in New York City, graduating from the New York Psychoanalytic Institute in 1952. In 1953, he moved to Portland where he began private practice as the first psychoanalyst in Oregon. He was also a founding member of the Oregon Psychoanalytic Foundation. Framed in a black metal frame with UV glass. Additional shipping rates apply.
Condition: Very Good, toning to paper.
Item #412
![Set of 3 Medical Drawings [torso front]. Siegfried Berthelsdorf](/pictures/thumb/411.jpeg?v=1442357455)
Set of 3 Medical Drawings [torso front]
A set of three medical drawings on index cards by Dr. Siegfried Berthelsdorf (1911-2011), done in 1935 when he was a student at the University of Oregon. He continued his studies in psychiatry in New York City, graduating from the New York Psychoanalytic Institute in 1952. In 1953, he moved to Portland where he began private practice as the first psychoanalyst in Oregon. He was also a founding member of the Oregon Psychoanalytic Foundation. Framed in a black metal frame with UV glass. Additional shipping rates apply.
Condition: Very Good, toning to paper.
Item #411
![Bookend [Blue Green Brown Square Bottle Form Tall]. Eco-Baroque](/pictures/thumb/455.jpeg?v=1443918117)
Bookend [Blue Green Brown Square Bottle Form Tall]
Bookend made by the Portland-based collaborative project, Eco-Baroque, comprised of artists Bruce Conkle and Marne Lucas. We at Monograph Bookwerks think of this object as related to Morandi's bottles. Made from glazed stoneware, each bookend is unique. Solid clay, not hollow; the small opening at the top does not extend down into the form. Due to size and weight, additional shipping rates apply: $18 for Domestic Priority Mail.
Condition: Fine, as new; small hole at the top for firing purposes that furthers the appearance of this as a vessel; cracks...
Item #455
More about Bookend [Blue Green Brown Square Bottle Form Tall
![Bottle Form [Steel Grey]. Eco-Baroque](/pictures/thumb/447.jpeg?v=1443918116)
Bottle Form [Steel Grey]
Bottle form made by the Portland-based collaborative project, Eco-Baroque, comprised of artists Bruce Conkle and Marne Lucas. We at Monograph Bookwerks think of this object as related to Morandi's bottles. Made from glazed stoneware, each form is unique. Solid clay, not hollow; the small opening at the top does not extend down into the form. Due to size and weight, additional shipping rates apply: $18 for Domestic Priority Mail.
Condition: Fine, as new.
Item #447
![Rook Bookend [Black]. Eco-Baroque](/pictures/thumb/441.jpeg?v=1443918115)
Rook Bookend [Black]
Made by the Portland-based collaborative project, Eco-Baroque, comprised of artists Bruce Conkle and Marne Lucas, this heavy bookend takes its inspiration from the form of a chess rook. Made from glazed stoneware, each bookend is unique.
Condition: Fine, as new; small holes in top and bottom for firing purposes.
Item #441
![Rook Bookend [White]. Eco-Baroque](/pictures/thumb/442.jpeg?v=1443918115)
Rook Bookend [White]
Made by the Portland-based collaborative project, Eco-Baroque, comprised of artists Bruce Conkle and Marne Lucas, this heavy bookend takes its inspiration from the form of a chess rook. Made from glazed stoneware, each bookend is unique.
Condition: Fine, as new; small holes in top and bottom for firing purposes; 1" crack in top from firing, as is common in solid fired clay.
Item #442
Vessel
Small vessel made by the Portland-based collaborative project, Eco-Baroque, comprised of artists Bruce Conkle and Marne Lucas. Inspired by a trip to trip to Somali, this series of vessels was conceived as containers for incense. We think they are great for not only incense but also your favorite salt, pigment, or other small things. Made from glazed stoneware, each is unique. The interior bowl area is about 1.5" deep and about 2" high.
Condition: Fine, as new.
Item #450
Frank Sanje Elliott Oil Painting; Spring Turns the Wheel
Frank Sanje Elliott was born in 1933 in Centralia, Washington and studied at Lewis & Clark College and the Museum Art School in Portland, Oregon in the mid-1950s. Since that time, his paintings, calligraphy, and Thangka works have been shown internationally. This circa 1967 oil painting on canvas by Elliott, in the original artist frame, is entitled "Spring Turns the Wheel". Elliott continues to make work in Portland and is a very accomplished Tibetan Thangka painter. Additional shipping rates apply - can be shipped only by required "crater and freighter"...
Item #31
More about Frank Sanje Elliott Oil Painting; Spring Turns the Wheel
![Eleanor Engdahl Original Gouache [Blue-Yellow]. Eleanor Engdahl](/pictures/thumb/1004.jpeg?v=1535077472)
Eleanor Engdahl Original Gouache [Blue-Yellow]
An original signed gouache drawing by Eleanor Engdahl, possibly as a study for graphic, textile, fashion or even wallpaper design. Little is known about the artist, although records were found for an Eleanor Engdahl who died in Portland, OR in 1967. In her portfolio were notes to the effect of "two designs due by Friday," etc. An unfounded idea that is interesting to consider is that the Jantzen swimwear company was based in Portland during the time these artworks were most likely created, and some of her designs are reminiscent...
Item #1004
![Eleanor Engdahl Original Gouache [Brown]. Eleanor Engdahl](/pictures/thumb/409.jpeg?v=1442357454)
Eleanor Engdahl Original Gouache [Brown]
An original signed gouache drawing by Eleanor Engdahl, possibly as a study for graphic, textile, fashion or even wallpaper design. Little is known about the artist, although records were found for an Eleanor Engdahl who died in Portland, OR in 1967. In her portfolio were notes to the effect of "two designs due by Friday" etc. An unfounded idea that is interesting to consider is that the Jantzen swimwear company was based in Portland during the time these artworks were most likely created, and some of her designs are reminiscent...
Item #409
Original Keith Haring Free South Africa Subway Drawing
An original "Free South Africa" subway drawing by Keith Haring. In the early to mid-1980s Haring drew with chalk on the black paper in the subway system that the New York City Metropolitan Transit Authority used to paste over expired advertisements and billboards. The blank, black panels would remain for a few days to several weeks before a new advertisement was pasted on top. Haring saw them as a blank canvas and began drawing on them, saying "it became a rewarding experience to draw and see the drawings being appreciated.....
Item #880
More about Original Keith Haring Free South Africa Subway Drawing
Original Keith Haring Subway Drawing Fragment (Serpent with Hand)
An original subway drawing fragment by Keith Haring. In the early to mid-1980s Haring drew with chalk on the black paper in the subway system that the New York City Metropolitan Transit Authority used to paste over expired advertisements and billboards. The blank, black panels would remain for a few days to several weeks before a new advertisement was pasted on top. Haring saw them as a blank canvas and began drawing on them, saying "it became a rewarding experience to draw and see the drawings being appreciated. The number.....
Item #982
More about Original Keith Haring Subway Drawing Fragment (Serpent with Hand
Original Keith Haring Subway Drawing Fragment (Serpent)
An original subway drawing fragment by Keith Haring. In the early to mid-1980s Haring drew with chalk on the black paper in the subway system that the New York City Metropolitan Transit Authority used to paste over expired advertisements and billboards. The blank, black panels would remain for a few days to several weeks before a new advertisement was pasted on top. Haring saw them as a blank canvas and began drawing on them, saying "it became a rewarding experience to draw and see the drawings being appreciated. The number.....
Item #981
More about Original Keith Haring Subway Drawing Fragment (Serpent
![Norma Heyser Sculpture [blue-yellow]. Norma Heyser](/pictures/thumb/38.jpeg?v=1442357452)
Norma Heyser Sculpture [blue-yellow]
This sculpture, circa 1965, is by the Oregon artist and activist Norma Heyser (1933-). It was shown in her 1960s solo exhibition at Mt. Angel College, a short-lived but vibrant art school and arts venue active in the late '60s to early '70s located in Mt. Angel, Oregon. In the exhibition, the piece was hung from the ceiling - it has an embedded metal hook so that it can be re-installed in that same manner. Heyser studied at the Museum Art School in Portland in the mid-1950s, and went on.....
Item #38
Tramp Art and Bauhaus-Inspired Box
This Mondrian-inspired and "tramp art" styled box is signed and numbered by the artist, Bob Magahay. Magahay, a Hollywood set and costume designer made elaborate boxes such as this one for his friends and patrons. This box is made entirely from pieces of cardboard (the work is not glued to a manufactured cardboard box). The interior of both sides of the box include inlayed acrylic painted cardboard pieces. The exterior of the box is a multilayered construction of cardboard. Perhaps most pleasurable is that the lid of the box perfectly...
Item #456
Hannah Wilke Single Gum Sculpture, 1976
Working in sculpture, photography, performance, and video, Hannah Wilke (1940-1993) is critical to the trajectory of feminist art history in the 20th Century. Her political works addressed sex, language, desire, and gender in form and material. Her gestural folded vaginal works employed unusual single materials such kneeded eraser or chewing gum (including the Juicy Fruit and Big Red brands). In 1974, Wilke began the S.O.S Starification Object Series – a photographic series in which she adorned her unclothed body with the vaginal gum forms. Punning words including star, scar, and.....
Item #972
Hannah Wilke Single Gum Sculpture, 1977
Working in sculpture, photography, performance, and video, Hannah Wilke (1940-1993) is critical to the trajectory of feminist art history in the 20th Century. Her political works addressed sex, language, desire, and gender in form and material. Her gestural folded vaginal works employed unusual single materials such kneeded eraser or chewing gum (including the Juicy Fruit and Big Red brands). In 1974, Wilke began the S.O.S Starification Object Series – a photographic series in which she adorned her unclothed body with the vaginal gum forms. Punning words including star, scar, and.....
Item #973
Hannah Wilke Single Gum Sculpture, 1978
Working in sculpture, photography, performance, and video, Hannah Wilke (1940-1993) is critical to the trajectory of feminist art history in the 20th Century. Her political works addressed sex, language, desire, and gender in form and material. Her gestural folded vaginal works employed unusual single materials such kneeded eraser or chewing gum (including the Juicy Fruit and Big Red brands). In 1974, Wilke began the S.O.S Starification Object Series – a photographic series in which she adorned her unclothed body with the vaginal gum forms. Punning words including star, scar, and.....
Item #975
Hannah Wilke Single Gum Sculpture, 1979
Working in sculpture, photography, performance, and video, Hannah Wilke (1940-1993) is critical to the trajectory of feminist art history in the 20th Century. Her political works addressed sex, language, desire, and gender in form and material. Her gestural folded vaginal works employed unusual single materials such kneeded eraser or chewing gum (including the Juicy Fruit and Big Red brands). In 1974, Wilke began the S.O.S Starification Object Series – a photographic series in which she adorned her unclothed body with the vaginal gum forms. Punning words including star, scar, and.....
Item #976