5005 NE 27th Avenue at Alberta
Portland, Oregon 97211 USA
Open Saturdays 12-5pm
and by appointment
A charming "M is for Mole" woodcut or linoleum print, perhaps originally created for an illustrated children's book or print series - artist unknown, circa 1960s. Maybe you know the artist?
Condition: Very Good, toning to paper and mat board; title written in pen on the mat board.
Item #1206
A mounted photographic print of workers in an unknown Oregon tannery. Circa 1970, unsigned and undated. Dry-mounted to a 12" x 14" photo mat.
Condition: Very Good, some toning to mat.
Item #417
A mounted photographic print of workers in an unknown Oregon tannery. Circa 1970, unsigned and undated. Dry-mounted to a 12" x 14" photo mat.
Condition: Very Good, some toning to mat.
Item #418
A mounted photographic print of a worker with a hide in an unknown Oregon tannery. Circa 1970, unsigned and undated. Dry-mounted to a 12" x 14" photo mat.
Condition: Very Good, some toning to mat.
Item #419
A mounted photographic print of workers in an unknown Oregon tannery. Circa 1970, unsigned and undated. Dry-mounted to a 12" x 14" photo mat.
Condition: Very Good, some toning to mat.
Item #420
A mounted photographic print of workers in an unknown Oregon tannery. Circa 1970, unsigned and undated. Dry-mounted to a 12" x 14" photo mat.
Condition: Very Good, some toning to mat.
Item #416
A charming "Y is for Yak" woodcut or linoleum print, perhaps originally created for an illustrated children's book or print series - artist unknown, circa 1960s. Maybe you know the artist?
Condition: Very Good, toning to paper and mat board; title written in pen on the mat board.
Item #1207
![Set of 3 Medical Drawings [torso back]. Siegfried Berthelsdorf](/pictures/thumb/412.jpeg?v=1442357455)
A set of three medical drawings on index cards by Dr. Siegfried Berthelsdorf (1911-2011), done in 1935 when he was a student at the University of Oregon. He continued his studies in psychiatry in New York City, graduating from the New York Psychoanalytic Institute in 1952. In 1953, he moved to Portland where he began private practice as the first psychoanalyst in Oregon. He was also a founding member of the Oregon Psychoanalytic Foundation. Framed in a black metal frame with UV glass. Additional shipping rates apply.
Condition: Very Good.....
Item #412
![Set of 3 Medical Drawings [torso front]. Siegfried Berthelsdorf](/pictures/thumb/411.jpeg?v=1442357455)
A set of three medical drawings on index cards by Dr. Siegfried Berthelsdorf (1911-2011), done in 1935 when he was a student at the University of Oregon. He continued his studies in psychiatry in New York City, graduating from the New York Psychoanalytic Institute in 1952. In 1953, he moved to Portland where he began private practice as the first psychoanalyst in Oregon. He was also a founding member of the Oregon Psychoanalytic Foundation. Framed in a black metal frame with UV glass. Additional shipping rates apply.
Condition: Very Good.....
Item #411
Frank Sanje Elliott was born in 1933 in Centralia, Washington and studied at Lewis & Clark College and the Museum Art School in Portland, Oregon in the mid-1950s. Since that time, his paintings, calligraphy, and Thangka works have been shown internationally. This circa 1967 oil painting on canvas by Elliott, in the original artist frame, is entitled "Spring Turns the Wheel". Elliott continues to make work in Portland and is a very accomplished Tibetan Thangka painter. Additional shipping rates apply - can be shipped only by required "crater and freighter".....
Item #31
![Eleanor Engdahl Original Gouache [Brown]. Eleanor Engdahl](/pictures/thumb/409.jpeg?v=1442357454)
An original signed gouache drawing by Eleanor Engdahl, possibly as a study for graphic, textile, fashion or even wallpaper design. Little is known about the artist, although records were found for an Eleanor Engdahl who died in Portland, OR in 1967. In her portfolio were notes to the effect of "two designs due by Friday" etc. An unfounded idea that is interesting to consider is that the Jantzen swimwear company was based in Portland during the time these artworks were most likely created, and some of her designs are reminiscent.....
Item #409
An original "Free South Africa" subway drawing by Keith Haring. In the early to mid-1980s Haring drew with chalk on the black paper in the subway system that the New York City Metropolitan Transit Authority used to paste over expired advertisements and billboards. The blank, black panels would remain for a few days to several weeks before a new advertisement was pasted on top. Haring saw them as a blank canvas and began drawing on them, saying "it became a rewarding experience to draw and see the drawings being appreciated.....
Item #880
An original subway drawing fragment by Keith Haring. In the early to mid-1980s Haring drew with chalk on the black paper in the subway system that the New York City Metropolitan Transit Authority used to paste over expired advertisements and billboards. The blank, black panels would remain for a few days to several weeks before a new advertisement was pasted on top. Haring saw them as a blank canvas and began drawing on them, saying "it became a rewarding experience to draw and see the drawings being appreciated. The number.....
Item #982
An original subway drawing fragment by Keith Haring. In the early to mid-1980s Haring drew with chalk on the black paper in the subway system that the New York City Metropolitan Transit Authority used to paste over expired advertisements and billboards. The blank, black panels would remain for a few days to several weeks before a new advertisement was pasted on top. Haring saw them as a blank canvas and began drawing on them, saying "it became a rewarding experience to draw and see the drawings being appreciated. The number.....
Item #981
![Norma Heyser Sculpture [blue-yellow]. Norma Heyser](/pictures/thumb/38.jpeg?v=1442357452)
This sculpture, circa 1965, is by the Oregon artist and activist Norma Heyser (1933-). It was shown in her 1960s solo exhibition at Mt. Angel College, a short-lived but vibrant art school and arts venue active in the late '60s to early '70s located in Mt. Angel, Oregon. In the exhibition, the piece was hung from the ceiling - it has an embedded metal hook so that it can be re-installed in that same manner. Heyser studied at the Museum Art School in Portland in the mid-1950s, and went on.....
Item #38
An exquisite collection of 64 original watercolor drawings and artworks by Karl Walton Kenyon of fish, marine and bird wildlife, created in the Asia Pacific during wartime deployment, circa 1941-1966. Many are draw to scale from life examples caught by hand. A large number of examples are signed with notes related to their locality, scale, species (if known), and often including the date and other related remarks i.e. "Espiritu Santo, tidepool, 5x life size, painted from life, June 5 1944 (signed)" or "(signed) May 24, 1944 near Guadalcanal, flew aboard.....
Item #1251
This Mondrian-inspired and "tramp art" styled box is signed and numbered by the artist, Bob Magahay. Magahay, a Hollywood set and costume designer made elaborate boxes such as this one for his friends and patrons. This box is made entirely from pieces of cardboard (the work is not glued to a manufactured cardboard box). The interior of both sides of the box include inlayed acrylic painted cardboard pieces. The exterior of the box is a multilayered construction of cardboard. Perhaps most pleasurable is that the lid of the box perfectly.....
Item #456
Working in sculpture, photography, performance, and video, Hannah Wilke (1940-1993) is critical to the trajectory of feminist art history in the 20th Century. Her political works addressed sex, language, desire, and gender in form and material. Her gestural folded vaginal works employed unusual single materials such kneeded eraser or chewing gum (including the Juicy Fruit and Big Red brands). In 1974, Wilke began the S.O.S Starification Object Series – a photographic series in which she adorned her unclothed body with the vaginal gum forms. Punning words including star, scar, and.....
Item #972
Working in sculpture, photography, performance, and video, Hannah Wilke (1940-1993) is critical to the trajectory of feminist art history in the 20th Century. Her political works addressed sex, language, desire, and gender in form and material. Her gestural folded vaginal works employed unusual single materials such kneeded eraser or chewing gum (including the Juicy Fruit and Big Red brands). In 1974, Wilke began the S.O.S Starification Object Series – a photographic series in which she adorned her unclothed body with the vaginal gum forms. Punning words including star, scar, and.....
Item #973
Working in sculpture, photography, performance, and video, Hannah Wilke (1940-1993) is critical to the trajectory of feminist art history in the 20th Century. Her political works addressed sex, language, desire, and gender in form and material. Her gestural folded vaginal works employed unusual single materials such kneeded eraser or chewing gum (including the Juicy Fruit and Big Red brands). In 1974, Wilke began the S.O.S Starification Object Series – a photographic series in which she adorned her unclothed body with the vaginal gum forms. Punning words including star, scar, and.....
Item #975
Working in sculpture, photography, performance, and video, Hannah Wilke (1940-1993) is critical to the trajectory of feminist art history in the 20th Century. Her political works addressed sex, language, desire, and gender in form and material. Her gestural folded vaginal works employed unusual single materials such kneeded eraser or chewing gum (including the Juicy Fruit and Big Red brands). In 1974, Wilke began the S.O.S Starification Object Series – a photographic series in which she adorned her unclothed body with the vaginal gum forms. Punning words including star, scar, and.....
Item #976
