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A concert poster for Iggy Pop with special guest Nash the Slash at the Pine Street Theater in Portland on November 17, 1982.
Condition: Good-, multiple pinholes and staple holes (80 or more, likely from being on a bulletin board); edgewear and some creasing along top edge with about 4-5 closed tears up to .5" along the top edge; some toning to paper around edges.
Item #1258
Ace Gallery exhibition flyer for Keith Sonnier's 1973 exhibition. The document includes a floor plan of the gallery and a short list of works including "amplified long and short wave radio receivers" and "32 air tracks" which is in keeping with Sonnier's sound based installations and performances. Sonnier is known for his radical and new use of materials, unbridling sculpture from its past, neon and sound based installations. Postmarked.
Condition: Good, creasing along top of the mailer.
Item #485
An original two-sided flyer for a DEVO after-party at Danceteria, in New York in 1982. Also advertises a party for Neutral Records' "Vortex" film soundtrack release. The film starred Lydia Lunch and Ann Magnuson.
Condition: Very Good, toning to paper; edges unevenly trimmed.
Item #1119
An original concert flyer for Public Image, Ltd. with the Mutants and Pompeii 99 at the Hollywood Palladium on June 10, 1983. Also an early Goldenvoice poster, which promoted its first concert in 1981.
Condition: Near Fine, a few soft creases and surface dimples to flyer.
Item #1155
An original concert flyer for Roy Loney (formerly of the Flamin' Groovies) and the Phantom Movers, plus Eye Protection with Black Flag Opening! At the Temple in San Francisco on February 1, 1980. Loney, a much-loved and longtime member of the Bay Area music scene, and a trail blazer in early garage rock during the psychedelic era, died in December of 2019.
Condition: Fine.
Item #1156
The oversized record label poster for Sonic Youth's album "Goo," their sixth release. The album's cover artwork was famously done by Raymond Pettibon, and this poster features the band's name in his lettering. The album also featured the song "Kool Thing," a collaboration with Chuck D of Public Enemy.
Condition: Near Fine, a .5" crease/bump to lower left corner, otherwise very nice.
Item #1305
A 1983 flyer for the Violent Femmes at the Mediterranean Tavern on West Burnside in Portland, and the Violent Femmes first Portland appearance. George Touhouliotis ran the Mediterranean Tavern and started doing poetry and live shows there in the early 1980s. It was this Violent Femmes show that prompted Touhouliotis to open the legendary Satyricon, saying "They weren't really loud—it's the Violent Femmes. But there were a lot of complaints from the people upstairs. So this other space, Satyricon—it seemed right" (Willamette Week, 10/26/2010). The Femmes self-titled debut album was.....
Item #1300
A collection of documents relating to the Electronic Music Studio at Mills College: - A Fall 1975 two-page document "Special Information for Applicants in Compostion" with info on Ashley and Riley, and the Electronic Music Studio, which featured a Moog synthesizer and the Buchla synthesizer. - A two-page document "Center for Contemporary Music" with descriptions of the studio facilities and equipment. - Nine pages of photocopied college admissions material entitled "Graduate Study", possibly mailed to the recipient along with the above documents, with information on requirements and fees for the.....
Item #1399
A postcard featuring Rick Griffin's artwork issued by his Berkeley Bonaparte poster company in the Bay Area, from the same period when he was also being commissioned to do work for Family Dog Productions and Bill Graham Presents.
Condition: Very Good, thumbtack hole and impression at center-top; previous owner's name written in blue pen on blank card back; light edgewear.
Item #1193
The postcard for Buffalo Springfield and Eight Penny Matter at The Family Dog in Denver (1601 West Evans Street), the rock club that presented many psychedelic bands during the short period it was open in 1967-1968. These concerts were on October 6 & 7, 1967. Chet Helms was manager of Big Brother and the Holding Company, which famously added Janis Joplin as its singer for a period. Helms formed Family Dog Productions, and began producing concerts at the Fillmore Auditorium (SF) alongside a young Bill Graham. Helms and Family Dog.....
Item #1145
The postcard for Quicksilver Messenger Service, Kaleidoscope and Charley Musselwhite at the famed Avalon Ballroom for three nights: January 12-14, 1968. Chet Helms was manager of Big Brother and the Holding Company, which famously added Janis Joplin as its singer for a period. Helms formed Family Dog Productions, and began producing concerts at the Fillmore Auditorium alongside a young Bill Graham. Helms and Family Dog hired a group of young artists to design the graphics for their posters and handbills, which became the standard by which all psychedelic concert posters.....
Item #1144
The postcard for Quicksilver Messenger Service, Sons of Champlin and Taj Mahal & the Blue Flames at the famed Avalon Ballroom for three nights: October 27-29, 1967. Chet Helms was manager of Big Brother and the Holding Company, which famously added Janis Joplin as its singer for a period. Helms formed Family Dog Productions, and began producing concerts at the Fillmore Auditorium alongside a young Bill Graham. Helms and Family Dog hired a group of young artists to design the graphics for their posters and handbills, which became the standard.....
Item #1143
The postcard for the Chamber Brothers and Iron Butterly at the famed Avalon Ballroom for two nights: April 28 & 29, 1967. Chet Helms was manager of Big Brother and the Holding Company, which famously added Janis Joplin as its singer for a period. Helms formed Family Dog Productions, and began producing concerts at the Fillmore Auditorium in SF alongside a young Bill Graham. Helms and Family Dog hired a group of young artists to design the graphics for their posters and handbills, which became the standard by which all.....
Item #1147
The postcard for the Steve Miller Blues Band, the Daily Flash and the Doors at the famed Avalon Ballroom for four nights: June 1-4, 1967. Chet Helms was manager of Big Brother and the Holding Company, which famously added Janis Joplin as its singer for a period. Helms formed Family Dog Productions, and began producing concerts at the Fillmore Auditorium alongside a young Bill Graham. Helms and Family Dog hired a group of young artists to design the graphics for their posters and handbills, which became the standard by which.....
Item #1142
The postcard for The Doors, Lothar and the Hand People, and Captain Beefheart and his Magic Band at The Family Dog in Denver (1601 West Evans Street), the rock club that presented many psychedelic bands during the short period it was open in 1967-1968. These concerts on September 29 & 30, 1967 occurred during the first month the club was open. Chet Helms was manager of Big Brother and the Holding Company, which famously added Janis Joplin as its singer for a period. Helms formed Family Dog Productions, and began.....
Item #1146
An oversized, signed and numbered silkscreen poster for the Butthole Surfers, Smegma and Hellcows concert on October 26, 1987 at Pine Street Theatre in Portland, OR, and featuring images of Fred Flinstone. Designed by Mike King of Crash Design, who was also the drummer in Hellcows. Signed by King, and numbered 88 in an edition of 100. Printed at Gary Houston's silkscreen studio, Voodoo Catbox, in Portland. Although the concert was in 1987, King designed and printed this special edition poster in 1995. He also designed the original 11" x......
Item #1294
An oversized, signed and numbered silkscreen poster for the Melvins, Treadmill and Dirty Bird at the Blue Gallery on September 19, 1990. The Blue Gallery was a punk/rock club and art gallery run by Tim Brooks in NW Portland for a few years, circa 1989-1990. Designed and signed by Mike King of Crash Design, numbered 22 in an edition of 100. Printed at Gary Houston's silkscreen studio, Voodoo Catbox, in Portland. Although the concert was in 1990, King designed and printed this special edition poster in 1995.
Condition: Fine (appears.....
Item #1297
A poster for The Ramones September 2, 1995 concert at the Roseland Theater in Portland, touring in support of their "¡Adios Amigos!" album, after announcing they planned to call it quits at the end of the tour. Poster design by Mike King.
Condition: Fine.
Item #335
![Four Pianos: Three Evenings of Music & Continuous Tape Music [Set]. Steve Reich](/pictures/thumb/430.jpeg?v=1443679525)
Two rare Steve Reich flyers - one for three performances of music by Reich held March 17, 18 & 19, 1967 at the Park Place Gallery, New York. The other for the group exhibition at Park Place Gallery during the same month (March 1967) which featured Reich's work "Continuous Tape Music". The other artists in the group exhibit were minimalist sculptors Charles Ross ("Prisms and Lenses") and Jerry Foyster ("Mirrors"), and painter Dean Fleming ("Primal Panels"). The music performances included works by Reich performed by Philip Corner, Jon Gibson, Arthur.....
Item #430
The 1943 sheet music for "Evocations: 3 Chants for Piano" by Carl Ruggles. The piece was composed in 1921 and was revised varous times until 1956, when Ruggles settled on its final version. Also includes the music for "Angels, for Muted Brass, 4 Trumpets and 3 Trombones". Ruggles was an American composer (1876-1971) known for the atonal or dissonant counterpoint style of his compositions. This sheet music was published by Henry Cowell's New Music Edition Corp., which initially ran from 1927 until 1936 when Cowell was arrested (and imprisoned for.....
Item #803
An early Portland punk flyer from 1978 featuring The Wipers and King Bee, with a plea on the poster to help save/pay the rent at the short-lived New Arts Center, which hosted punk shows in Portland for only about two months.
Condition: Near Fine, light toning to paper.
Item #1256
The sheet music for Edgard Varèse's "Ionisation" (1931), his composition for thirteen percussionists, and one of the first concert hall compositions solely for percussion ensemble. It was debuted in 1933 at Carnegie Chapter Hall, an annex to New York City's renowned Carnegie Hall. It is also perhaps Varèse's most famous piece, and is said to have inspired Frank Zappa to pursue a career in music. Varèse also become known as the "father of electronic music" for his use of new instruments and electronic elements in his music. Published by Henry.....
Item #801
